|
||||||||||||||||||||||||
|
 |
 |
 |
||||
| Florian Sitzmann - Composer, musician (Söhne Mannheims) |
Städtische Bühnen Frankfurt - the Frankfurt opera |
Markus Born-Engineer, Producer, Studio owner: [kleine audiowelt] |
||||
| “Since I have owned the big KS system, my listening and work has changed. No matter what style you are currently working in – it is always possible to listen quite analyti-cally or emotionally, according to what you prefer at the time. I also like the possibility of following the principle of the “Main Monitor” again, which enables you to listen to a system for a long time effortlessly and without compromising the sound, whether you are arranging, sound designing, recording or mixing. The sound, quality and workmanship of the system fulfil all your wishes – your ears stay open”. | “With have used these monitors to make recordings for CDs (to listen to in “living rooms”), for live use in our opera house (so to be listened to in a much larger room) and – most recently in June – for the opening of the FIFA Conde cup in the new Frankfurt Waldstadion, for two classic orchestra soprano full playbacks with live character (10Spur HD play back) which were transferred to 55,000 spectators via an 84,000 watt “L-acoustic” line array system.” Peter Tobiasch (Technical director – sound manager) |
Since I got the KSdigital monitors, I feel for the first time that there is light at the end of the tunnel in the bass sector. They are extremely impulse true and extremely tireless due to their phase characteristics… When mixing, the monitors always deliver a realistic picture, at any volume. |
||||
 |
 |
|||||
| Michael Herberger - Composer, musician
(Söhne Mannheims) |
Markus
Born Kleine Audiowelt, Germany |
|||||
“For me the ADMs are the only speakers that
I have fun with when composing, but at the same time I can listen analytically if I need to.
They just sound good – but never too nice.” |
I have been
mixing with KS monitors for more than 7 years now. If it sounds
good on them it will sound good on any other speaker. They are
THE reference. Gone are the days when customers were blown away
by the sound in the studio and then shocked when they listen to
their music at home. My ADM2 / ADMW stacks reveal every detail
in the mix and monitoring the dynamics of the music is exceptionally
good. No masterer had to fight with squashed mixes or bad frequency-curves
since I use my KS. I never heard such a clear and tight bass-respnse
and so much air in music before. |
References Recording Studios |
|